Learn · updated 5 November 2026

Depth of field and background blur explained

What controls how much of a photo is sharp, how to get blurred backgrounds, and why sensor size matters.

f/1.4f/2f/2.8f/4f/5.6f/8f/11f/16← more light, blurrier backgroundmore in focus, less light →
Each full stop halves the light. Wide apertures blur backgrounds; narrow ones keep more of the scene sharp.

Depth of field is how much of the scene, from front to back, looks sharp. A shallow depth of field isolates a subject against a soft background; a deep one keeps everything from foreground to horizon in focus.

Four things control it

  1. Aperture: wider (smaller f-number) means shallower depth of field.
  2. Distance to the subject: the closer you are, the shallower it gets.
  3. Focal length: at the same framing, longer lenses make backgrounds look blurrier because they magnify them.
  4. Distance from subject to background: move your subject away from the wall behind them.

For portraits

An 85mm f/1.8 on full frame (or a 56mm f/1.4 on APS-C) is the classic recipe. Don't always shoot wide open: at f/1.4 on a close face, the eyes can be sharp while the nose is soft. f/2-f/2.8 is often safer.

For landscapes

f/8-f/11 keeps most scenes sharp. Going much beyond f/16 softens the whole image through diffraction, so use focus stacking if you need more.

Sensor size

At the same framing and aperture, bigger sensors give shallower depth of field. f/1.8 on Micro Four Thirds looks roughly like f/3.6 on full frame. That's a reason to choose full frame for portraits, and a reason Micro Four Thirds suits video, where more depth of field is often useful.

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