GFX100S II
The most affordable new 100MP medium format. Compact for the format, with IBIS.
Landscapes need resolution and dynamic range for big prints, weather sealing for bad days, and a wide zoom that takes filters. Autofocus speed barely matters, so older high-resolution bodies are excellent value.
| Budget | Best setup | Total | |
|---|---|---|---|
| Under £500 | Canon EOS M50 Mark II + Canon EF-M 11-22mm f/4-5.6 IS STM | £480 | More options → |
| Under £1,000 | Sony Alpha A7R III + Viltrox AF 14mm f/4 Air | £929 | More options → |
| Under £1,500 | Nikon Z7 + Nikon Z 17-28mm f/2.8 | £1,480 | More options → |
| Under £2,000 | Sony Alpha A7R IV + Sigma 16-28mm f/2.8 DG DN Contemporary | £1,929 | More options → |
| Under £3,000 | Sony Alpha A7R V + Samyang AF 14-24mm f/2.8 | £2,940 | More options → |
| Under £5,000 | Fujifilm GFX 100S + Fujifilm GF 20-35mm f/4 R WR | £4,670 | More options → |
| Under £10,000 | Fujifilm GFX100 II + Fujifilm GF 20-35mm f/4 R WR | £6,760 | More options → |
The most affordable new 100MP medium format. Compact for the format, with IBIS.
102MP medium format with IBIS and 8K video. Fujifilm colour at the largest sensor size here.
The A7R V's 61MP sensor in the compact A7C body. Huge resolution you can travel with.
61MP with Sony's AI subject recognition. A landscape and studio favourite.
Leica's 60MP L-Mount body. Machined build, IP54 sealing and access to Leica, Sigma and Panasonic lenses.
44MP full frame with class-leading stabilisation and 8K video in a lighter body than the original S1R.
Hasselblad's newest 100MP body, adding phase-detect AF to the X2D's minimalist Scandinavian design.
47MP with a 187MP high-res mode. Great for landscapes; slow AF.
100MP CFV back on a 907X body: waist-level shooting, or fit the back to a V-system film camera.
Across all budgets, the Fujifilm GFX100S II scores highest for landscapes in our database, followed by the Fujifilm GFX100 II and Sony Alpha A7C R. The best choice depends on budget; see the setups by price below.
Landscapes need resolution and dynamic range for big prints, weather sealing for bad days, and a wide zoom that takes filters. Autofocus speed barely matters, so older high-resolution bodies are excellent value.
It helps, through cleaner high-ISO files and shallower depth of field, but a good lens on APS-C will still give excellent results.